2016 might go down as one of the Dallas Cowboys’ best drafts. How often do you draft a running back and quarterback and have both tearing up the league? Most rookie quarterbacks spend their first season on the sideline with a clipboard. In five years, many of them are out of football. As for running backs, many spend their first year enduring the brutal reality that the NFL defensive linemen and linebackers are far bigger, meaner, faster and stronger than their college counterparts.
Let’s face it: Dak Prescott isn’t just the future of the Cowboys, he’s also the now. Originally intended to back up Tony Romo for a few seasons and then step in and start as quarterback, Prescott was forced into the starter role when Romo went down in preseason with a shoulder injury. Prescott’s touchdown-to-interception ratio is mind boggling (currently 17 TD passes, two interceptions), and he set the record for most passes to start an NFL career without an interception. He’s poised and is a rookie who acts like a veteran who craves pressure.
Prescott is doing so well that Romo is currently serving as a backup.
What to do with Tony Romo?
Word is, he wants a trade to the Denver Broncos. Other teams are said to be interested. Romo is 36, and if he is traded, he’ll want to go to a team with a shot at the Super Bowl.
I’d love to see Dallas keep Romo for this reason: the team needs two solid, reliable quarterbacks. Romo knows the system and has shown that if given decent protection, he’s almost unstoppable. If he’s traded and Prescott goes down with an injury, then Dallas would probably be stuck with another Brandon Weeden Problem–having a terrible quarterback who’s not cut out to lead a team and move the ball, much less win football games.
A co-worker said Romo will probably have to be traded or cut at sometime. He signed a huge contract a year or so ago, and it probably doesn’t make sense to the Cowboys to have a high-priced backup quarterback.
Regardless, I’ll say this: Tony Romo belongs not only in Dallas’ Ring of Honor, but also someday in the NFL Hall of Fame. He’s had an awfully good career for an undrafted free agent who’s had no help for most of his tenure. Yes, he’s a gunslinger who can throw frustrating interceptions, but that often happens when you have no help on defense and know you have to do it all yourself. Yes, he’s had a lot of injuries. That often happens when you absorb a lot of heavy hits.
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Veterans Day is gone, but I’d like to make a belated post about the topic. For our newspaper, we did a special section of various stories on veterans. One was where the vets reminisced about their drill sergeants.
So, I thought I’d reminisce about three I remember well. Alas, I have pics of only two…
Drill Sergeant Richard Kenner
I went through basic training at Fort Leonard Wood, Missouri, from February to April 1996. It began cool, became cold enough for snow, then ended with temperatures that almost hit 90. That’s probably typical for the Show Me State.
My company was Alpha Company, 5th Battalion, 10th Infantry Regiment. We were the last to pass through, as 5-10 was reclassified as 2-47.
Sgt. Kenner (a few cycles after us, he would become Staff Sgt. Kenner), had this steel, blue-eyed gaze you could see from about 500 meters away. We were all afraid of him at first as he seemed very no-nonsense and sarcastic. One soldier complained about him to a female cashier at the commissary, not knowing the cashier was MRS. Kenner. Thankfully for them, Sgt. Kenner found it too funny to get angry.
He made us do pushups and other punishment and had no tolerance for mottos yelled wrong, cadences out of step, rifles not taken care of, barracks not kept neat. Whenever he’d have us do pushups as punishment, he’d always yell, “Just freakin’ DROP!”
I tried to avoid getting his attention, but once on the rifle range, he looked at me firing a rifle and said, “Private Zowie, are you a WRONG hander?!”
He’d seen I was a lefty, but before I could get too indignant, a left-handed drill sergeant interjected and made it clear there was nothing wrong with being a southpaw.
Towards the end, of course, we could see that Sgt. Kenner really cared for us, and I grew to where I actually looked forward to having him around.
Before graduation, he came up on his off-day as he somehow knew many of us wanted him to sign our yearbooks. He signed mine as well. “Be hard or be gone. No room for wimps.”
That phrase has helped me get through some rough patches in my life.
Drill Sergeant William Thompson
Sgt. First Class William Thompson was my drill sergeant when I was at AIT at Goodfellow Air Force Base in San Angelo, Texas, from February to April 1998. Like Fort Lost-in-the-woods, it was bitterly cold and then became scorching hot. I’ve often thought if a person wanted to invest in wind energy, they should set up those towers in San Angelo. Each day, it seemed, it was windy enough to blow off Burt Reynolds’ toupee.
I expected to have a sadist for a drill sergeant, but Drill Sergeant Thompson was fair. He was tough, but he made it clear: don’t give me a reason to be hard on you, and I won’t. He had a family that he loved to spend time with, and he made it clear he’d rather spend weekends with them than having to babysit us due to some punishment.
The first time I met him, he saw my wedding ring and asked about my family. I told him my wife (now my ex-wife) was pregnant.
“Is she having a boy or girl?”
“A boy, drill sergeant,” I said, noting it was best to address them at least every third sentence.
“Outstanding, PFC Zowie,” Thompson said, smiling. “I told my wife she wouldn’t be able to quit child bearing until she gave me a son, and now I have three!”
When we did PT, Thompson encouraged us to use proper form on pushups. “If you do pushups incorrectly, you will become an expert at doing pushups the wrong way, and on the day of your APFT, you will be one very sorry soldier!” he said.
Thompson’s PT sessions often left me tired, but I easily passed my APFTs and I even lost more weight while at Goodfellow: I went there at 165 pounds and left at 158.
When the day came that I finished AIT and was able to exchange my generic U.S. Army brass pin for a military intelligence pin to officially become a careerist, I chose Thompson to pin me on.
Drill Sergeant Larry Gilman
How does Sgt. First Class Larry Gilman look in the picture? No smile, mean, you say?
He was 6’4″, around 220 pounds, deep, gravelly voice, used profanity in almost every sentence and seemed well-read about the world from a military perspective.
One day, he looked at us while we were in formation. He saw my nametag, which read ZOWIE.
His dark brown eyes had this look that seemed to say, “I’d thought I’d seen it all.”
“You’ve gotta be [EXPLETIVE] me!” he said, almost as if trying not to laugh. “Is that really your last name, private?!”
I assured him it was and offered to let him look at my driver’s license.
Shortly after that, Gilman was reassigned to be an interim first sergeant at another company. “They gave me a big pile of [EXPLETIVE] and told me to make it smell nice!” he told one soldier.
The last I heard of Gilman was from a copy of Army Times. He’d been promoted to master sergeant. I’d love to meet him again someday, as I’d often think he probably had a million stories to tell.
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Yesterday, I went to the National Museum of the Pacific War here in Fredericksburg, Texas to see their Norman Rockwell exhibit. This one focused on select Saturday Evening Post covers during the World War II era. Each cover tells a different picture, including chronicling the life of fictitious WWII serviceman Willie Gillis.
Here’s one of my favorites, of a soldier returning home near the end of the war. I’m guessing he lived somewhere in New York City, judging by the diversity of the people…
Amid all the people welcoming him home is a shy, red-headed girl who seems to be very attracted in him. I imagine they eventually fell in love, married and had kids.
I’m not an art expert, but I often find it amazing at how prolific Mr. Rockwell was–especially given that it took around 10 years for Leonardo da Vinci to complete Mona Lisa.
Other pictures I loved included a weary Army cook after cooking and serving Thanksgiving dinner, Gillis’ girlfriend sleeping on New’s Eve (there’s a hilarious story behind that pic–send me an email if you’d like to hear it), a veteran sailor getting his latest girlfriend’s name tattooed on his arm and, of course, Gillis at college hitting the books, in a peaceful environment.
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Several weeks ago while bored and looking for an instant view show on Netflix to binge on, I joined the “posse” and became hooked on Longmire.
For those not familiar: This show centers around Walter Longmire, a sheriff in the fictional Absaroka County, Wyoming. He doesn’t like technology, but he’s great at solving murders and other crimes. His best friend is Henry Standing Bear, a Cheyenne who owns the Red Pony bar. He has a tumultuous relationship with Mathias, the sheriff on the Cheyenne reservation (on the show, they call it “res” or “rez” for short). It seems that neither Mathias nor other prominent Native Americans Jacob Nighthorse or Malachi Strand seem too friendly with Longmire. We can attribute this to America’s often less-than-honorable dealings with Native Americans. He also seems to have a surrogate father relationship with his deputy, Victoria “Vic” Moretti.
Season five is done, and I finished watching it about a week ago. I am left to wonder, will there be a season six? Will this be yet another show, such as That 70s Show, where I didn’t get into it until after it was over? How is Vic handling her pregnancy? Who’s the father? Will Longmire survive the lawsuit? Will Nighthorse and the mayor enter an alliance? Will Standing Bear survive his ordeal?
Finally, why on earth didn’t Standing Bear and Nighthorse kill Malachi* when they had the chance?
As I watch the show and see the ongoing whites-versus-Native American interactions and conflicts (Standing Bear refuses to serve turkey at his bar, saying that turkey was served at “Thanks-taking”), I often wonder why A&E chose to drop this show. It’s now exclusive to Netflix. So far, Longmire has remained fascinating after five seasons, the kind of fascination where some may desperately turn to non-canon fan fiction to get an idea of what happens next. This is in contrast to show I’ve enjoyed, American Horror Story, that seems to have lost itself in a dreamy landscape of the same themes.
* I may not like Malachi Strand the character, although as a Caucasian of only trace Native American ancestry, I’d prefer to be slow to judge. But, Graham Greene does a brilliant job portraying him. If you’re reading this, Mr. Greene, good on ya, sir.
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Being politically conservative, I often disagreed with Carlos Guerra’s columns that ran on Section B of the San Antonio Express-News. He didn’t like President George W. Bush, and he also felt the rich didn’t do enough to help the poor.
Once, I decided to write to Carlos and tell him how misguided I felt he was.
One e-mail turned into several. Throughout it all, Carlos maintained unfailing politeness.
It gave me a lot to think about.
Over the next few years, I would email him about this or that topic, and it remained the same civil tone. My correspondence with him evolved from disagreeing to getting his opinion and carefully reading what he wrote. Among the things we discussed: whether San Antonio would get an NFL franchise (Carlos believed San Antonio lacked the market needed to sell out luxury suites), whether nor not newspapers should endorse political candidates (surprisingly, we both agreed they should not) and an excellent place for barbecue down in the Corpus Christi area, Cotten’s BBQ (both of us were South Texas boys: Carlos was from Robstown, and I grew up in Beeville).
I grew to like him very much and, while I often disagreed with him, I enjoyed reading his columns because it was as if Carlos knew the pulse of San Antonio. Carlos became one of my favorite Express-News columnists. If you wanted to know what was happening in San Antonio and in Texas a decade ago, Carlos’ columns served as an excellent barometer.
Early on in my e-mails, I referred to him as “Mr. Guerra.” That quickly ended as he insisted I call him “Carlos,” telling me that “Mr. Guerra” was his father.
I never spoke to Carlos on the phone and never met him, and while I lived in Michigan from late 2004 until finally returning home in August 2013, I often thought that when I returned to Texas, how fun it would be to meet him, buy him coffee somewhere and chat. Life has taught me that when you find someone you like, why ruin that friendship by dwelling on the disagreements?
Unfortunately, it wasn’t meant to be.
In 2010, I was shocked to see that Carlos had passed away. Reading an article on him in the Express-News, I learned he’d retired following some sort of buyout from the newspaper, and that at the time of his death, he was embarking on a new career in public relations.
As saddened as I was to hear about his death, I also found his retirement sad. It was indeed the end of an era. Some of the happiest times of my life were while living in San Antonio from 1998-2004. Carlos’ columns reflected that for me. Now, his columns exist in the archives, and he exists in the recollections of his friends.
Vaya con Dios, Carlos.
Richard Zowie lives in Fredericksburg and as a writer. During his career, he has freelanced for the San Antonio Express-News. Post comments here or e-mail him at email@example.com.
I just finished doing my fourth play since returning to theater as a hobby in 2012. This past weekend we wrapped up a three-week run of the British comedy Blithe Spirit. Being cast in it was a very pleasant surprise, as I saw several talented men audition for the two parts of Charles Condomine and Dr. George Bradman. Ashleigh, Kerry, J.D., Priscilla, Cindy, Dawn, Heidi and the rest of the backstage crew were all absolutely wonderful to work with.
I was cast as Dr. Bradman, which was an acting challenge for me in two ways: I’m an American, and it took a lot of work to speak in a decent English accent. And, while I might have played a doctor on the stage, I’m most certainly not a doctor. If someone from the audience had sustained an injury and someone else had screamed, “IS THERE A DOCTOR IN THE HOUSE?!” and eyes had been cast upon me, my response would’ve been: “I’m not a doctor, but I play one on stage. Sorry.”
This play, like others, left me bittersweet at the conclusion. I was relieved to have more free time but also very sad to say goodbye to the crew. As friends, I grew very fond of them during the production and enjoyed chatting with them. With any luck, I’ll get to work with them again.
A few anecdotes from the play:
Right before I came on for my one and only scene in the second act, my wife Violet mentioned she’d accidentally destroyed my research paper on “Hyperplasia of the Abdominal Glands.” To this day, I still have no idea what hyperplasia is–even after googling it.
The hardest part for me was pretending I had 20/20 vision. I’m very nearsighted (about 20/200 left eye, 20/400 right), but my glasses are too modern and since there was no suitable alternative, I did all nine performances without glasses. One particular worry of mine was that my squinting might be noticeable.
Dr. Bradman is a polite but, I’d say, somewhat arrogant man who’s very skeptical about the supernatural. I tried to play his skepticism as a nicer version Dr. Richard Dawkins, an evolutionary professor who’s very critical of creationism and intelligent design. As for the arrogance, I based Dr. Bradman on someone I once knew in Michigan.
Still, I wonder: what would Dr. Bradman have thought if he’d realized Madame Arcati wasn’t a charlatan and that Elvira and, later, Ruth, really did dwell in the afterlife realm?
All nine performances, I kept wondering: what IF the table falls off the stage? Thankfully, it never did.
Kudos to Paula Dean, who did the makeup for the crew and made it a very tolerable experience for me. I know some men like to wear makeup, but that’ll never be me. As soon as the performance is over, I wash it off.
In one performance, the seat of my pants ripped when I bent over to help pick up Madame Arcati. What did I do? Ignore it and continue. (During my hiatus until the second act, Nita Regester repaired it). If it had been noticeable, I probably would’ve ad-libbed something about needing to lose weight so I didn’t have to visit my tailor so often.
And speaking of ad libs:
In the previous production I was in, Little Shop of Horrors, I decided to do an ad-lib during the final performance. This time, I stuck with the script. In live theater, ad libs are best left for two cases: if you honestly can’t remember your line or if your fellow player forgets theirs and you see the need to step in, help them and get things going again. I think the best way to practice having to “step in” would be to have my sons read lines to me and then have them pick one at random, say nothing and look at me, as if they went blank.
Theater is something I’ll probably do only once a year due to being a single parent and the enormous amount of time required, but I may try to find ways to hang out there and stay involved since I consider the folks there my “second family.”
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I recently chatted with a dear friend from college about humility. Wonderful guy. We don’t agree on everything, but one thing I enjoy about him is his humility.
It made me think of some of the people I’ve known who were, um, not exactly humble. It also made me think of some celebrities who also aren’t humble. We can probably imagine.
There’s nothing wrong with being self-confident or having self-respect, but when those traits aren’t kept in check and are allowed to develop cultures that fester into ego and arrogance, that’s when it gets bad.
I tell my kids that being humble allows you to be able to relax and see things objectively instead of becoming overconfident, condescending and being unable–as the saying goes–to see the forest for the trees.
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